oil on canvas
This is one of the first of my paintings to re-integrate glazing. Since
the impressionists (and later, the adstract expressionists) it's my impression
that "glazing" as a technique had fallen into disuse. I read
a little book by an art teacher, however, who advocated glazing to re-establish
the red or alizarin crimson when lightened with white. Alizarin crimson
tints very poorly -- turning a sort of dull pinkish color. But if you
then apply a glaze of pure alizarin, immersed in Liquin or another medium,
the wonderful red color reappears. Some colors, transparent by nature,
mix poorly with white but are good as glazing colors. Alizarin, phthalo
blue and phthalo green, sap green are examples. The cadmiums are more
opaque and work badly as glazes.
September 12, 2002
Copyright c. 2002 by Pam Coulter Blehert. ALL RIGHTS RESERVED.